Wednesday 21 July 2010

Trancelike Void - Destroying Something Beautiful

Dual Review:
Hey, can someone give me a hand with this?
Yes, that is a pool of blood they're holding


















Genre: Black Metal
Name: Trancelike Void
Album: Destroying Something Beautiful (2008)
and Silhouettes of Misery (2010).
Deep Thought II

Thirteen posts and already I'm resorting to the same artists. Ah well.

Anyhoo, you may remember that last time I reviewed these Belgians, all the way back in April, I reviewed an EP of theirs, and, whilst it was good, it wasn't particularly great: 22 minutes and about 6 riffs. However, various sources informed me that I had picked a particularly unusal output for the duo, and I wasn't showing them in their true glory, so I promised a review of something else of theirs shortly.

And, as always, I forgot.


However, I went through my posts the other day to see what I'd promised you, and, sure enough there it was. A quick trip to the internet, and I have two reviews for you: the one I owed, plus interest.

Destroying Something Beautiful is Black Metal, but not in the syle of Abigail Williams. This is more abstract, more like Burzum or Lupus Nocturnus (both coming soon - well, soon-ish. Maybe a month). It's a mix of the heavy, pounding, slow, repetitious chords, distorted and layered on top of simple drums and new-age-esque, harmonious, abstract interludes, much shorter than their grittier partners. Also, for once, tracks labelled as interludes actually act as interludes, rather than just being a short sound clip they liked but couldn't actually fit anywhere else (I'm looking at you, Enter Shikari).

It is certainly more diverting than The Stone Pond, and keeps the attention far more easily. While it is perhaps slightly simpler - okay, significantly simpler in composition than that EP, which used more than three strings, I prefer it. This is mostly because it's just my thing - (mostly) instrumental, heavy, fairly depressing - and I can certainly see that people might not agree with me. However, this album has an advantage over its predecessor because it's possible to hear it without the volume raised to the maximum possible level.

Despite the interludes, which certainly create interesting diversions - and, in fact, even including them - this album remains probably far too simple for most people. The chords follow mostly the same patterns, with only the occasional diversion, the drums are simple and certainly aren't "driving", and the whole thing seems almost willing to fade into the background. Even the interludes only get your attention because they're not the same sequence on repeat. However, as I've said, this is what I like. It's my cup of tea (Earl Grey, no milk, no sugar, a little bit of lemon). I enjoyed it, especially the exceptionally atmospheric epilogue, which is closer to a none-acoustic Where The Trees Can Make It Rain


Silhouettes Of Misery, however, is much closer to that EP than Destroying Something Beautiful. For starters, it's acoustic, and therefore doesn't have those pulsing chords of Destroying Something Beautiful. It's based a lot more on simple, repeated riffs than heavy and distorted chords, although there are acoustic equivalents. But there is nothing to say on this album, really. I have just sat through the three-quarters of an hour it took me to play it through, and found nothing worth commenting on that makes it any different from Where The Trees Can Make It Rain. The only thing I can think of - and I'm really grasping at straws here - is that the drums appear more, but that's mostly because it's longer. There's nothing wrong with it, I didn't actively dislike it, but it just didn't do anything to grab my attention. It just made me sit and think (in this case, about html - how do I get one link to open two tabs?), and I that's probably the point. It certainly was a lot more effective in this regard than Destroying Something Beautiful, and I'm sure a lot of people like it. However, I'd only have it on as white noise, or as something peaceful if I were a hippy and wanted to meditate.

Overall, Trancelike Void are a band that, if not obsessively introspective themselves, certainly encourage their listeners to be. They do compose music that holds the attention like a sieve holds water, but when you return from the ether of your thoughts, you emerge into a calm and controlled auditory landscape, sterilised and peaceful, and fairly pleasant. That is what it's about, I suppose, and I'm sure many people find this helpful. However, I'm capable of thinking deeply without musical supplements, so certainly Silhouettes Of Misery isn't for me.

Summary: Calm thought-provoking music, but not something you can rock out to.
Rating: 7/10 and 6/10

Track listing:
Destroying Something Beautiful
1. Prelude: Descent
2. Part I: Everything Falls
3. Interlude I: Daydream
4. Part II: Fragile Conciousness
5. Interlude II: Nightmare
6. Part III: Total Desolation
7. Epilogue: Escape

Silhouettes Of Misery
1. Paranoid Melancholy
2. One Bridge Drowned
3. Blood
4. An Essence Of Tragedy

Myspace

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